Human memory is fragile. It distorts, fades, rearranges itself around emotion instead of reality. Long right before images or film, painting emerged as amongst humanity’s most long lasting technologies for resisting that erosion. To paint was not just to symbolize the entire world, but to carry it—to arrest a fleeting configuration of sunshine,
Art as Memory: How Painters Seize Fleeting Moments By Gustav Woltmann
Human memory is fragile. It distorts, fades, rearranges by itself about emotion as opposed to truth. Lengthy prior to images or movie, painting emerged as one of humanity’s most strong systems for resisting that erosion. To paint was not basically to depict the earth, but to hold it—to arrest a fleeting configuration of sunshine, gesture, mood,
Going to Ghost Cities: What Forgotten Sites Educate Us By Gus Woltmann
Ghost towns occupy a silent House concerning record and abandonment. At the time formed by ambition, sector, or migration, they now stand mostly empty, their buildings slowly reclaimed by time. Visiting these sites will not be basically an workout in nostalgia; it's an encounter While using the impermanence of human exertion. Ghost towns provide cl